The Dalang’s Sanggit Aesthetic of wayang Potehi Gudo Jombang East Java in Sie Jin Kwie Ceng Tang Story

Author(s)

Abstract
This research is aimed to reveal several phenomena about the appearance potehi puppetry script as the source of lakon for Gudo Jombang potehi puppetry performing art. This potehi puppetry script it’s a comic printed and published by Keng Po addres at Pintubesar number 86 Jakarta Kota.
The source of potehi puppetry with lakon Sie Jin Kwie came from of comic texts are transformed by the dalang into the wayang performing art. The dalang make summarized aspect of the story in the text so that the story is not long and winded. The dalang aim the audience does not get bored. Mucic crews make garap on the potehi music, they mixed potehi music with Javanese music and lyric. The dalang aim for the audiences does not distance and feel not familiar with potehi puppet. For language use, the dalang uses Hokkien Chinese dialect and mixes it with Indonesian and Javanese language. The dalang’s sanggit is expected to preserve the potehi puppet of Gudo, Jombang, East Java so that it does not extinst.

Keywords
The dalang’s sanggit. Sie Jin Kwie Tjeng Tang Story. Potehi pupperyt Gudo Jombang East Java.

Cite this paper
Siti Muslifah, Sarwanto, Sri Rochana Wiedyastutieningrum, Sunardi, The Dalang’s Sanggit Aesthetic of wayang Potehi Gudo Jombang East Java in Sie Jin Kwie Ceng Tang Story , SCIREA Journal of Sociology. Volume 9, Issue 4, August 2025 | PP. 293-307. 10.54647/sociology841469

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